Rian's Forum

A place to discuss Rian's stuff, and stuff that isn't Rian's stuff. Hello!
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PostPosted: Fri May 22, 2009 9:23 am 
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Shamus
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I'm all set to listen to The Fabulist and then some guy goes up to the front of the theater and starts talking... the nerve!

Where the Brick score puts me in the mood to walk around all hunched over and solve murder mysteries this score makes me downright happy. I'd buy a physical copy were one to be made.


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PostPosted: Fri May 22, 2009 12:02 pm 
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Upper Crust
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Here's the link to that podcast Nathan did with /Film:

http://www.slashfilm.com/2009/05/22/nat ... ers-bloom/


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PostPosted: Fri May 22, 2009 12:14 pm 
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The Pin's Mom
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I just started listening to my newly-downloaded score, and for some reason Windows Media Player chose to play Penelope's Theme first. As soon as that sweetly jaunty piano began tinkling in my ears, I was overcome with a comfortably flustered sensation kin to one you'd feel when a cute boy or girl smiles at you. I fumbled my way through the order I was taking at work, stuttering and laughing awkwardly as if my high school crush had suddenly appeared, smiled warmly at me and said, "You're looking very well, Sarah."


Good God, Nathan. What did you put in this stuff?

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PostPosted: Fri May 22, 2009 12:32 pm 
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sarahalyse wrote:
... As soon as that sweetly jaunty piano began tinkling in my ears, I was overcome with a comfortably flustered sensation kin to one you'd feel when a cute boy or girl smiles at you.


Uhm. Yeah. This is weirdly close to my own listening sensation of said piece. Well put, Sarah.

Oh, and well done, Nathan. I think this is going to be my new summer driving music.

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PostPosted: Sat May 23, 2009 4:37 am 
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Annasthesiologist
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sarahalyse wrote:
Good God, Nathan. What did you put in this stuff?


My SELF, Sarah, my whole SELF. So that you can all feel the emotions of my life while I'm left like an empty, rotting shell in the corner of a burned-out theater.


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PostPosted: Sat May 23, 2009 5:39 am 
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The Pin's Mom
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nathan wrote:
sarahalyse wrote:
Good God, Nathan. What did you put in this stuff?

My SELF, Sarah, my whole SELF.


Your...dear self?

Hey-o!

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PostPosted: Sat May 23, 2009 2:09 pm 
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nathan wrote:
sarahalyse wrote:
Good God, Nathan. What did you put in this stuff?


My SELF, Sarah, my whole SELF. So that you can all feel the emotions of my life while I'm left like an empty, rotting shell in the corner of a burned-out theater.


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PostPosted: Sat May 23, 2009 3:26 pm 
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My, we're a strange bunch.


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PostPosted: Sat May 23, 2009 3:31 pm 
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Cream on the Upper Crust
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You're just now figuring that out...?

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PostPosted: Sat May 23, 2009 4:20 pm 
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I like music! Yaaayy!!!


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PostPosted: Sat Jun 27, 2009 11:34 pm 
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For a whirlwind of cinematic, consciousness-altering emotion, try the following:


1. Wait for a dark and stormy night. The darker and stormier, the better.

2. Drive alone, a little too fast, out on the interstate. Preferably towards the storm.

3. Listen to tracks 16-18 (An Empty Stage, Cackle Bladder (Revisited), and The Perfect Con), slightly louder than is comfortable.

4. Head explode


Try it. Let me know when you do.

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PostPosted: Sat Jun 27, 2009 11:51 pm 
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Hash Head
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tsukasa13 wrote:
For a whirlwind of cinematic, consciousness-altering emotion, try the following:


1. Wait for a dark and stormy night. The darker and stormier, the better.

2. Drive alone, a little too fast, out on the interstate. Preferably towards the storm.

3. Listen to tracks 16-18 (An Empty Stage, Cackle Bladder (Revisited), and The Perfect Con), slightly louder than is comfortable.

4. Head explode


Try it. Let me know when you do.


Did this a few weeks ago, only substitute driving with "big giant mountain" and storm with "foreboding clouds of darkness".

Have I mentioned my love for this score enough?


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PostPosted: Sun Jun 28, 2009 7:52 am 
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I'm at the point where I'm listening to this score a bit more than The Fountain score.


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PostPosted: Mon Jun 29, 2009 6:13 am 
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Last 3 posts =

tsukasa13 wrote:
4. Head explode


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PostPosted: Tue Oct 06, 2009 9:10 pm 
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I'd just like to say how refreshing it was to come out of a film and be able to remember themes from the score, and still be able to hum them days after. The only other film I can say that about this year is UP.

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